What is the Adobe Photoshop graphic editor? Raster graphics editor Adobe Photoshop (AP). Let's talk about fill and gradient. Filling is an important and at the same time simple tool
Adobe Photoshop This is an extensive package of services. This application is not only designed for working with photos, it is also often used for web design and computer graphics. The possibilities of Photoshop are so extensive that you, as an artist, will never need many options.
In this tutorial we will look at how customize photoshop. There are several techniques you can use to Photoshop settings to force him work faster For example, you can reduce the amount of computation while you work, or optimize your hard drive for Photoshop to run faster. In this tutorial, you'll learn how to make your Photoshop work super fast without learning complicated advanced techniques. Below is a guide to using photoshop reliably and organizing your workflow to create masterpieces.
Step 1: Setting up hard drives for working with Photoshop.
If you often work with large files, it's best to create an additional drive for Photoshop (recommended RAID 0(not a fault-tolerant disk array)). On this drive you install Photoshop and save Plug-Ins. Try to keep this disk as empty as possible.
The capabilities of the hard drive are at your discretion, there is only one rule - the larger the drive, the better. ( Adobe recommends using a disk of at least 20 GB for optimal speed) Open Photoshop and go to the menu Editing – Settings – External modules (Edit – Preferences – Plug-Ins & Scratchdiscs). Here you select your new drive, as well as the other drive that has the most free space. If necessary, the memory of this disk will be used for working in Photoshop. If you want, you can also select a couple more discs.
The note: Do not use sectors of the same disk. It is impossible to write memory to two different sectors at once; this reduces the speed of the application.
Step 2. Photoshop Memory Settings
It's best if you have as few programs running with Photoshop as possible. This will allow Photoshop to use more memory and work faster. You can specify (in %) how much memory Photoshop can use by filling in the % field in the menu Editing – Settings – Performance (Edit > Preferences > Memory ft Cache). Set it to the highest possible value, but don't forget about other programs you'll be running alongside Photoshop. Need to leave a little for (for example) Winamp And Firefox. 80%
there should be enough memory, Photoshop will reserve these 80%
when you launch it.
By the way, Photoshop will not always need these to work 80%
memory, they can also be used by other programs, but Photoshop will take precedence if necessary.
The note: Not worth using anymore 80% memory. There are many programs that will need the remaining 20% .
Step 3. Setting up the Memory Cache in Photoshop (Image Cache)
Image Cache is a set of images of the current document stored in memory. Photoshop uses these low-resolution images to reproduce them as quickly as possible when you downsize them. On the menu Editing – Settings – Performance (Edit > Preferences > Memory 8t Cache), you can install Cache Level). The choice depends on the size of the image and how you work with it.
A low cache level works well with small images, while a high cache level improves the quality of high-resolution images. If you are working with small images that fit entirely on the screen, you can disable the cache by setting the field to 1 Cache Levels. Change the cache level from 6 to 8 when you are working with large images if you constantly need to resize it.
The number you set corresponds to the number of low-resolution images that are displayed in available memory, in the following order:
1 = 66.67%,
2 = 50%,
3 = 33.33%,
4 = 25%,
5 = 16.67%,
6 = 12.5%,
7 = 8.33%,
8 = 6.25%.
Step 4: Setting up fonts in Photoshop
Graphic designers often use different fonts. You can either work with font management tools or use the font preview feature in Photoshop. But this feature eats up a lot of memory by requiring you to import every letter when you open Photoshop. Font preview size settings can be found in the menu Editing – Preferences – Fonts (Edit > Preferences > Type) (Font Preview Size). Standard size Medium, but it's best to disable font previews altogether. Photoshop will start working much faster. The downside is that you won't see what font is being used. You will have to download them all unless you know all the fonts.
Step 5: Disable default Photoshop settings
If you haven't had time to fully download Photoshop, you definitely should. You won't believe your eyes when you see how diverse forms, gradients And styles offers Photoshop. This may take some time - go to the menu Editing – Preset Manager.
Brushes: In the standard set you will see a large selection of brushes. Be courageous and remove the majority, leaving only those that you will use often.
Graphic design artists will most likely have a set of their own brushes. As you paint, it's very easy to save your brushes into a new brush set. There is no need to rename brushes because they will not be loaded into memory.
Swatches: Same thing again. Remove standard colors and add swatches you create. You can work with skin color swatches, sky colors and forest colors. You can also create swatches for any design. Just don't load too much into . If you need them, you can always load them into yourself Photoshop.
Gradients: Photoshop has a huge set of gradients. They are collected in sets that can be loaded into Photoshop. I've never used gradients, so I only have three: From foreground to background, From background to transparent And Black to White. I make my own gradients very quickly.
Styles: Personally, I have never used them and it is unlikely that I will. But so many famous artists use them that Adobe includes them in the package constantly. A great note is: don't use styles unless you're sure what you want to get out of using them. I removed them all from except Default Style (None). If I ever need them, I can always download them back.
Patterns: IN Photoshop there are so many wonderful patterns. However, the standard patterns are just terrible, so I removed them. If I use patterns, it's my own, but I always know which patterns are available for use.
If you load them all into Preset Manager and click the little arrow on top, you can select Large Thumbnail. Continue removing them until only the ones you know you will use in the near future remain.
Contours: This is not particularly important, but since we decided to remove unnecessary things, we can do that too. When you work with Embossed (bevel/emboss), you can select one of the contours. I rarely use this function, so I only have three circuits left: Linear, Gaussian And Half Round. If I ever need any other outline, I'll just create it on the spot.
Costume Shapes: Go to the menu Load – All and start deleting. I only have a few left, like the arrows I like, the copyright logo, etc. You can turn your signature into Custom figure (Costume Shape). Since this is a vector image, you can enlarge it without losing quality. This signature method is better than the old one using brushes.
Tools: This is the most insidious part. If you look through the list carefully, you will see a lot of icons and titles. When you select a tool (eg Brush), you see in the upper left corner a lot Tool Presets. I don't usually use these settings, but I think sometimes it is necessary when you need a particular tool over and over again. If there are any Tool Presets, which you definitely will never need - feel free to delete them.
The note: If you change the list, it's best to give it a new name. Then your main list will not go anywhere and you can easily return it if you want.
If you remove it from Preset Manager, it does not disappear forever, but simply does not appear in Photoshop as the main one. You can always load it back into Photoshop.
Step 6. History Settings
The biggest difference between a graphic design and a regular one is, of course, the function Undo (ctrl+Z).
Historical summary (History)
- This is a feature that cannot be ignored. The only problem is that it requires a lot of memory when you work with large images. The default settings allow you to go back 20 steps. You need experience to develop your personal settings. If you don't use this feature very often, you may want to lower the standard rate. If you often make more than 20 mistakes (this happened to me before), you need to increase the number on the contrary. It can be changed in the field settings Edit – Settings – General (Edit – Preference – General) or Ctrl+K.
Step 7. Setting up the data clipboard
A small note if you often switch to other similar image editing programs. You can disable Export Clipboard on the menu Basic Settings (Edit – Preference – General). This will reduce switching time if you have saved a large amount of data to the clipboard.
Step 8. Disable plugins
Plug-Ins not as easy to erase from memory as Presets. There are many plugins that we usually do not need, but which are stored in memory. You can remove plugins by going to the Photoshop installation folder on your hard drive. Usually this C:\\Program Files\Adobe\Photoshop/Plug-Ins. Create a new folder within the folder Plug-Ins and call her ~UnusedPlug-Ins(unused plugins). Symbol ~ seems to be saying Photoshop don't download them. For example: I don't use the plugin Watermark (Digimarc Imageprotector), That's why Digimarc you can remove it (unless you use it, of course). You can drag and drop a folder Digimarc to a folder UnusedPlug-Ins. Make sure Photoshop is not running at this point.
Other plugins, for example for file extensions, as well as various filters can also be removed. Just drag the ones you don't use into the folder. Don't be afraid to move too much. You can always turn on Photoshop and see what happens there. For the test I moved all the folders from the folder Plug-Ins to a folder UnusedPlug-Ins.
A few more notes about the workflow.
Work with the correct dimensions.
If you care about memory capacity, sketch in low resolution ( 72 dots per inch (DPI)) and increase it when you need to fill more space. If you are confident in your work, compress the image by merging as many layers as possible ( CTRL+E) and increasing the resolution at the end to 300 dots per inch (DPI) to add the finishing touches. Do it through the menu Image – Image Size or just click Alt+Ctrl+I.
Work in the right mode.
Switch the picture mode to RGB. Even if the final image is in CMYK. It's better to work in mode RGB and switch to CMYK when you are ready to print.
Connect layers often
Photoshop has to scan every layer and every pixel to render every stroke. You can imagine how much power is needed to accomplish this. You can make your program a lot easier by working with as few layers as possible. When I draw, I usually work on 4 layers - a sketch, a base drawing, another layer for drawing and when it's done, it is combined with the base layer, and another layer for several sketches - ideas.
A great option when you are painting large works is to use Pixel Doubling. This setting speeds up the preview of an instrument or effect by temporarily doubling the pixel size (doubling the resolution) of the preview. This feature does not affect the pixels of the file itself, it simply provides a faster preview of tools and commands. This option can be found in the menu Editing – Settings – Cursors (Edit – Preferences – Display & cursor).
You can do absolutely anything with a digital image, from banal recoloring of elements and highlighting complex structures to highly intelligent retouching and transformation of photographs using elaborate and spontaneous sequences of tools and effects.
But only under one condition - if the user has access to new graphic editor Adobe Photoshop CS6 or translit in Russian Adobe Photoshop CS6. Each subsequent version of the program from Adobe becomes a discovery of new opportunities and opens up more and more new levels of working prospects.
That's why new version of photoshop CS6 was no exception - its structure includes all the proven developments and the most popular tools over the years, and also added additional tools that expand the already considerable capabilities of the professional graphics program of previous versions.
At the same time, the new product not only matches, but also surpasses any existing graphics programs for creating collages, photo processing, drawing and much more.
For free download Adobe Photoshop CS6 in Russian for Windows 32/64 and Mac OS you can visit our website. All necessary links are located at the bottom of the article.
Graphic editor for everyone
What was remarkable about the new program for users of any level of training? First of all, the innovations affected the topic of processing a wide variety of photographs, which is popular in many different areas. Several new tools have appeared in Photoshop CS6 just for these purposes. These include expanded functionality for converting photos to monochrome, more complete expression of color and tonal transitions using “sponge”, “darken” and “clarifier”, as well as a new level of accuracy and consistency of the quality basis using expanded dynamic range.
Processing photographs using Photoshop has long been perceived as the norm, and new possibilities for further printing take the work of a graphic designer to a new level of quality and in less time. The specialist also has at his disposal automation of work through scripts, which speeds up photo processing significantly.
From a set of photos of various subjects You can easily assemble a combined photo collage by adjusting the depth and precise mixing of shadows and colors, and the completeness of the work will be given by precisely aligned layers in automatic mode.
Many creative processes are impossible without the use of source images (RAW format). Just for this purpose, Adobe Photoshop CS6 provides the Camera Raw module, which provides support for almost three hundred types of cameras, with rich functionality for image correction. Here, for a photo specialist, there are ample opportunities for the most daring experiments, while the source of the photograph itself is preserved in its original form.
The same creative individuals will also appreciate such new features as brushstrokes with a natural textural basis - this helps to realize the so-called drawing effects as close to realism as possible. All this allows you to stretch, mix, delete or distort many elements of any picture using completely different tools.
Access to image editing tools has also been improved, which can now be called up for active work in just one click. Additionally, the familiar Lightroom app integration has been taken to the next level and now makes it much easier to transfer files from app to app, allowing you to create even more stunning panoramas, multi-layered documents and HDR images.
Once you have decided download Photoshop CS6 with Russian language for Windows 7 (8.10), you will be convinced that you did this not in vain, especially since external applications, both from third-party developers and the direct creators of the program, allow you to expand the capabilities of the graphics package.
As you already understand, CS6 allows you to work with several hundred graphic formats, from the PSD inherent in Photoshop to the popular TIFF, BMP and JPEG, as well as common video formats 3G, AVI, MPEG-4 and FLV, and the Russian-language editor interface will allow you to work with such files that are even more convenient and predictable.
The new Windows version of this ultra-popular image editing program will provide you with a wealth of features that allow you to unleash your full creative potential.
Even the most complex elements of images, such as hair, can now be highlighted or masked without effort. In earlier versions of the editor this was not so easy to do. Any created object can be painted and retouched using texture brushes and an improved color mapping mechanism, as well as much, much more.
If the new Photoshop CS6 in Russian did not become the pinnacle of engineering in its field, then it is guaranteed to be among the top five graphic editors.
The most advanced graphics editors, like those from Adobe, cost a lot of money. But there are free and quite worthy alternatives, the capabilities of which will be enough for most. Creative Bloq, a publication for photographers and designers, chose The best free graphic design software the best among similar programs and services.
Free vector editors
Designed for creating and editing logos, interfaces and other scalable graphics.
Gravit Designer - formerly known as Gravit - is a full-featured vector editor. It is suitable for any task: from interface and icon design to working with presentations, illustrations and animation.
Gravit Designer's neat, intuitive interface can be customized. The editor contains a ton of tools for creating beautiful, detailed vector images. Among them are non-destructive (cancellable) functions for working with Boolean operations, the Knife and Path Graph tools, plus a variety of fill and blending modes, as well as a powerful text engine.
When you need to access your work on the go, Gravit Cloud lets you return to your project on any device.
2. Vectr
- Platforms: web, Windows, macOS, Linux.
Vectr offers all the features you could need to create vector graphics, plus plenty of options for using filters, shadows, and . This is enough to handle most everyday design tasks. Particularly useful are the collaborative editing and synchronization capabilities, which allow you to work whenever and wherever you want in tandem with other people.
- Platforms: web.
If you need to quickly create or edit a simple SVG file, there are several that are as good as Adobe Illustrator for the task. Among the best of them is SVG-Edit.
This editor is built entirely on HTML5, CSS3 and JavaScript and does not use servers to process data. SVG-Edit code is open source. Therefore, if you wish, you can download it and modify it to create your own version of the editor.
SVG-Edit has all the basic tools of a vector editor. But it only supports SVG format.
This powerful editor offers many tools and features that are often not available in other similar programs. These include alpha blending, object cloning, and markers.
Full support for various color models makes Inkscape a worthy Adobe Illustrator for both web and print design. Despite the simplicity of the interface, this program can create incredibly complex works.
Features that deserve special mention include raster-to-vector conversion, variable-width stroke creation, and support for Illustrator files.
Free raster editors
Designed for creating and editing any non-scalable drawings and photographs.
1. GIMP
- Platforms: Windows, macOS, .
Free, open source graphics editor. GIMP comes with a rich set of features for painting, color correction, cloning, highlighting, enhancements, and more. The interface of GIMP differs from the most popular Photoshop, but you won’t have to search for the necessary tools for a long time.
The GIMP team has taken care of compatibility, so you can work with all popular image formats without any problems. In addition, GIMP has a built-in file manager, similar to Bridge from Adobe programs.
- Platforms: Windows.
If you're on Windows and don't need as many tools as GIMP, Photo Pos Pro may be your ideal editor. The latter is designed with image editing in mind and copes well with typical tasks such as adjusting contrast, lighting and saturation. But Photo Pos Pro is also suitable for more complex manipulations.
This program boasts a very friendly interface and detailed help that helps beginners understand. If you want to make Photo Pos Pro even more functional, there are many extensions and plugins at your service.
3. Krita
- Platforms: Windows, macOS, Linux.
Another open source editor. Krita has been around since 1999 and is constantly evolving to meet the needs of concept artists, illustrators, visual effects, detailing and texture specialists.
The program includes a set of a wide variety of brushes and supports many plugins: from advanced filters to auxiliary tools for working with perspective.
Some of the coolest features include brush stabilizers that smooth out lines, a looping mode for creating seamless patterns and textures, and a pop-up palette for quickly choosing colors.
4.Pixlr
- Platforms: web, iOS, Android.
Pixlr offers over 600 effects, overlays, and frames. In this service you can do everything you would expect from: resize images, crop them, remove red eyes, whiten teeth and much more.
If you're familiar with Photoshop, you'll get the hang of the web version of Pixlr very quickly. The interfaces of these editors are very similar.
- Platforms: Windows.
Paint.NET is an alternative to the Paint program built into all versions of Windows. But don't let the similarity of names fool you: Paint.NET is a much more advanced and useful editor.
The development team is focusing on ease of use and improving Paint.NET's photo editing capabilities rather than its graphics design capabilities. However, Paint.NET allows you to control perspective, manipulate pixels on the canvas, clone selections, and so on.
With support for layers, a wide range of selection tools and settings like brightness/contrast and curves, Paint.NET can be considered a worthy replacement for Photoshop.
- Platforms: web.
Sumo Paint works quickly on the web and copes with tasks no worse than desktop editors. But to run it you will need Adobe Flash Player. So Sumo Paint is not for iOS devices.
Sumo Paint's arsenal of settings and features includes pencils, brushes, text, gradients, cloning, shapes and more. All this is always visible on a floating panel like the one you could see in.
Free 3D graphics editors
Designed for working with 3D models, effects and animations.
- Platforms: web.
SketchUp Free can be called the ideal entry point into the world of 3D graphics. This editor friendlyly introduces the newcomer to the process and forgives him all the mistakes he has made. You can start by simply drawing lines and shapes and then transform them into 3D objects.
If you need some inspiration, you can download free models of various objects from the 3D Warehouse library through the search form on the SketchUp website.
- Platforms: Windows, macOS.
Using Daz Studio, you can customize and move various 3D objects such as people, animals, and objects in space.
You can create unique characters, worlds, various design elements and much more. But Daz Studio lacks the modeling and texturing capabilities available in paid alternatives. For a detailed table comparing editors, see the project website.
- Platforms: Windows, macOS.
Hexagon is a free 3D modeling tool. It has everything you need to create detailed models ready for final rendering.
Among the program's tools and functions you will find the ability to quickly import from Daz Studio, presets for various objects, brushes for manual modeling, UV mapping (applying flat textures to a three-dimensional object), advanced drawing tools and instant ambient occlusion.
Daz Studio and Hexagon programs were created by the same developer and complement each other. Together they form a complete free 3D graphics suite.
- Platforms: Windows, macOS, .
Blender is an advanced, free and open source 3D graphics editor available for all major platforms.
Developers are constantly developing Blender. It supports all possible operations with 3D graphics: it allows you to model, texture, animate, render and compose.
- Platforms: Windows, macOS.
If you're interested in the art of digital sculpting, try Sculptris from developer Pixologic. It is equally suitable for any level of training. Beginners get a good starting tool, and experienced digital artists get a platform for quickly and conveniently implementing ideas.
Sculptris is based on the same developer's ZBrush editor, the most popular digital sculpting application. When you're ready to take it to the next level, you can easily switch to ZBrush.
- Platforms: Windows, macOS, Linux.
Houdini is a 3D animation and visual effects tool that is often used when working on films, TV shows and other media content.
The cost of the editor starts at $2,000. But the program developers - Side Effects Software - allow you to use the Houdini Apprentice version for free. Thanks to it, you can access all the features of the full version and hone your skills on personal projects. Only Houdini Apprentice is intended for non-profit and educational purposes only.
"Graphics editorAdobePhotoshop»
"Application of the programAdobePhotoshopfor creating and editing images"
Target: consideration of the possibilities and ways of using tools designed for drawing and editing images in the raster graphics editor Adobe PhotoShop.
Theoretical part
After launching the program, the main Photoshop window appears on the screen. A work session usually begins with opening a finished image from disk, since Photoshop is more often used for image processing than for creating original computer illustrations.
Header, status bar, menu
The title bar proves the name and icon of the program, in this case. System control buttons on the right side of the line are used to minimize/maximize, resize and close the program window. The system menu opens when you click on the program icon. It includes commands for working with a window that allow you to restore, move, close, and resize it. System menu commands are specific to the operating system, so their language may differ from the application settings.
The status bar (along the bottom border of the window) is designed to display information about the open document, working disks, active tool, etc. If there are no open documents in the program, the status bar is empty.
The program menu contains groups of image and document management commands, united by similar functions:
File. File operations: copying, opening and closing files, importing and exporting. This also includes commands for retrieving images from input devices, moving to other applications, automating, and validating a document before output. There is also a command for calling up the window for viewing image catalogs - the Photoshop browser.
Edit. Editing commands - cutting, copying and any other resizing and distortion of the entire illustration or its individual fragments. In the same group there are commands for defining a pattern, brush and shape, commands for clearing the buffer and all program settings (settings, color management and sample sets), distortion of individual areas.
Image. Commands designed to influence
image - tone and color correction, changing image type, cropping, cutting out fragments from the background.
Layer. Image layer controls.
Select. Commands for selecting and then working with
selected area.
Filter. Commands designed for special image processing. There are always filters from the Photoshop kit and there may be additionally installed filters.
View. Tools for controlling the appearance of the working page - scale and color display model, guides, rulers, etc.
Window. Tools for organizing the work environment in the main window
programs - commands in this menu regulate the display of palettes and document windows.
Help. Commands for obtaining help information, program assistance, and access to online support.
Understanding Filters
Applying filters
Filters are used to clean up and retouch photos, apply special artistic effects that give an image the appearance of a sketch or painting in an impressionistic style, as well as specific transformations using distortion and lighting effects. All of the filters offered by Adobe are contained in the Filter menu. Some third-party filters are available as plug-ins. Once installed, they appear at the bottom of the Filter menu.
Filters submenu "Blur"
Blur filters soften a selection or the entire image and are used during retouching. They smooth out transitions by averaging the characteristics of pixels near the sharp edges of sharp lines and shadowed areas of the image.
Image before (left) and after (right) applying the Shallow Depth of Field Blur filter. The background is blurred, but the foreground remains sharp.
Averaged. Finds the average color of an image or selection, and then fills the image or selection with that color so it appears smooth. For example, if you have a selection of grass, this filter will transform the area into a uniform patch of green.
"Blur" and "Blur +". Eliminate noise when there are significant color transitions in the image. Blur filters smooth out transitions by averaging the characteristics of pixels near the sharp edges of sharp lines and shadowed areas in an image. The effect of the Blur+ filter is three to four times more pronounced than the Blur filter.
Frame blur. Blurs an image based on the average color value of neighboring pixels. This filter is designed to create special effects. You can change the size of the area used when calculating the average value for a given pixel (increasing the radius results in more blur).
Gaussian blur. Quickly blurs the selection by a variable amount. A Gaussian distribution is a cone-shaped curve that Photoshop calculates by applying a weighted average to pixels. Applying the Gaussian Blur filter reduces the amount of detail and creates the effect of being immersed in fog.
Rendering submenu filters
Submenu filters "Rendering" allow you to create three-dimensional shapes, clouds, refraction and simulate light reflections in an image. It also provides the ability to manipulate objects in 3D space, creating 3D objects (cubes, spheres and cylinders) and texture fills from grayscale image files to implement volumetric lighting effects.
Clouds. Creates a soft cloudy texture using random colors that are selected in the range between the main and background colors. Applying this filter replaces the image data in the active layer.
Clouds with overlay. This cloud filter uses random values that vary between the foreground and background colors. This filter blends cloud data with existing pixels in the same way that Difference mode blends colors. The first time you select this filter, portions of the image in the cloud pattern are inverted. Repeated application of the filter creates patterns of branches and veins that resemble the texture of marble. Applying the Clouds Overlay filter replaces the image data in the active layer.
Fibers. Using the main and background colors, it creates the appearance of woven fibers. Use the Variation slider to control how colors change (small values produce long streaks of color; larger values produce short fibers with a more variable color distribution). The Intensity slider controls the appearance of each fiber. At low values of this parameter, a loose weave is formed; at large values, short, matted fibers are formed. Applying the Fibers filter replaces the image data in the active layer.
Glare. Simulates refraction caused by bright light hitting a camera lens.
Lighting effects. Allows you to create different lighting effects on RGB images by combining 17 styles, three types and four sets of lighting properties. You can also use textures derived from grayscale image files (called bump maps) to create 3D effects, and save your own styles for use in other images.
Filters submenu "Sharpness""
Filters in the Sharpness submenu help bring blurry images into focus by increasing the contrast of adjacent pixels.
"Sharpness" and "Sharpness+". Improves focus and clarity of the selected area. The Sharpen + filter provides greater sharpening than the Sharpen filter.
"Edge Sharpening" and "Edge Sharpening". Finds areas in an image with significant color changes and sharpens them. The Edge Sharpening filter sharpens only the edges, keeping the rest of the image smooth. This filter is used to sharpen edges without specifying any quantitative parameters. For professional color correction, use the Sharpen Mask filter, which allows you to adjust the contrast of edges by drawing lighter and darker lines on either side of them. As a result, the edges become more pronounced, creating the illusion of increased image clarity.
Smart Sharpen. It sharpens the image, allowing you to set an algorithm and control its degree in highlighted and shaded areas.
Practical part
Exercise 1:
Set image file 1.jpg as the main background.
Move the image onto it file 2.jpg.
Click the Add Mask button in the Layers palette. Set the foreground color to white, background color to black and drag the tool Radial fill from the center to the top edge of the photo. In this case, the gradient style should be - " from foreground to background".
Create a copy of the forest layer and make this layer active. Make an oval selection around the face. Now invert the selection - Select/Reverse and do the filter Blur moving at an angle of 45 degrees.
Invert the selection and run the command Select/Modify/Border. Border size - 5 px. The oval should turn into a frame on which we will apply the following filter - Style/ Luminous borders.
Merge all layers - Layer/Merge all layers and do the filter Render / Highlight.
Result:
Task 2:
Set image file 1.jpg as the main background.
Make an oval selection and apply a filter Warp/Zigzag - 50, 10.
Using the tool Polygonal lasso highlight the pier in file 2.jpg and move the tool Moving to the image file 1.jpg. Enlarge it a little using Free Transform.
Then select and move the boat and apply the effect Apply Shadow.
Select the phone image in file 3.jpg. You can use the selection tool Magic wand. Set the tolerance to 100 in the options palette and select the background around the phone while holding Shift. Now invert the selection. Move the phone to your file, make it smaller and expand it a little. Now click the button Add a layer mask in the palette layers and selecting Linear gradient fill move the tool across the phone from bottom to top.
Well, now we’ll make a shadow of the phone. Create a copy of the phone image layer by running the command Layer/Duplicate Layer. Make the bottom layer with the phone active, move it a little to the right and open it in the palette Layers list of pixel blending modes set type - Scorched. Then apply the filter Wind(can be applied twice) and filter Motion blur.
Highlight with a magic wand seagull in file 4.jpg and move it to your file. Expand the image horizontally and make it a little smaller. Set the layer mode - Scorched.
To create text, click the tool Seal. Install the font – Arial bold, 35 points, character spacing - 66. Click the color box and check the box next to H(i.e. you chose the HSB color model) enter the following values: H - 180, S - 100, V - 100. This way you have set your font color to blue. Now write the text.
Render the layer and place the text exactly at the water's edge (in front of the island). Perform a filter Warp/Sphere, setting the quantity to 55, mode to normal. Now move the layer higher and filter You relief: details - 12, softness - 5, light direction - bottom left. Create a copy of the layer and set the mode to top - Hard light lower - Overlay.
Raster graphics editor Adobe Photoshop (AP)
| Parameter name | Meaning |
| Article topic: | Raster graphics editor Adobe Photoshop (AP) |
| Rubric (thematic category) | Technologies |
Adobe Photoshop (AP) is one of the many packages for processing, modifying, and saving graphic objects.
AR allows you to work with the palette, calibrate, scan, import and export, select areas, outlines, draw/edit, select colors, layers, channels and masks, filters, image size and resolution, perform color correction, convert images, perform color separation , print images.
The program offers the user the following palettes:
1) “Layers”;
2) “Channels”;
3) “Contours”;
4) “Brushes”;
5) “Parameters”;
6) “Synthesis”;
7) “Catalogue”;
8) “Design”;
9) ʼʼInfoʼʼ;
10) ʼʼTeamsʼʼ.
1. Palette "Layers" used to create, copy, merge, and delete layers, as well as create layer masks. At the same time, this palette allows you to control the display of individual layers.
2. Palette "Channels" used to create, duplicate and delete channels, to determine their parameters, to convert channels into independent documents, as well as to combine channels and form a combined image. The Channels palette also allows you to control the display of individual channels on the screen, making them visible or invisible.
- Palette "Contours" used to create, save and process contours. This section describes opening and closing the palette, as well as selecting paths and displaying them in the palette. The rest of this chapter covers creating and editing paths, converting paths to selections and selections to paths, and using paths.
4. Various brushes used for painting and editing are presented in palette ʼʼBrushesʼ. By default, there are several sizes of round brushes available, and Adobe Photoshop saves brush characteristics for each tool individually.
5. Each tool (except for the Move and Text tools) is characterized by its own set of parameters, which is displayed in palette ʼʼOptionsʼʼ. The title and contents of this palette change based on the currently selected tool.
6. Palette synthesis Displays the color values of the current foreground and background colors. Using the sliders, you can edit these colors in one of the proposed color systems.
7. Palette "Catalogue" contains a set of colors available for use. You can choose foreground and background colors from available options, or create a custom palette by adding or removing colors. At the same time, you can create and save any set of colors for later use in other images.
8. Palette "Design" is a tablet that you can use to randomly mix colors. To work in the Design palette, you can use any drawing tools. The Zoom and Hand tools can be used to view the contents of the palette.
9. PaletteʼʼInfoʼʼ displays information about the active tool and color coordinates at the active cursor point.
10. Palette "Commands" Allows you to select your most frequently used commands with one click. When the Commands palette is open on the screen, clicking any of the commands it contains performs the corresponding action or opens the corresponding dialog box. By default, several commands are selected in Adobe Photoshop, with function keys assigned to them. If your keyboard has function keys, you can independently reassign them to other commands.
There are so many specialized commands included in the Adobe Photoshop software. Οʜᴎ contain operators used to perform additional tasks, color correction, and image manipulation.
First of all, this graphic editor is intended for working with scanned images.
When using certain scanner models, Adobe Photoshop allows you to fully control the process of converting a photo or slide into a digitized image. It is important to note that the “Get” command from the “File” menu is used to scan images.
Adobe Photoshop can work with any scanner, provided that a compatible add-on module is installed for it. To install such a module, you need to copy the corresponding file from the scanner manufacturer to the PLUGINS subdirectory of the Photoshop program directory. All modules for scanners installed in the PLUGINS subdirectory are displayed in the “File - Get” submenu. Adobe Photoshop supports the standard TWAIN interface, which allows you to use any device that also supports this interface for scanning.
If there is no driver for your existing scanner that is compatible with Adobe Photoshop, you can scan the image using the scanner manufacturer's software, saving it in TIFF or BMP format. To then open this file in Photoshop, use the ʼʼOpen...ʼ command from the ʼʼFileʼ menu. During the process of scanning images, you can control several parameters that affect the quality of the final file.
The next main procedure of raster graphics editors is import and export of images.
Adobe Photoshop allows you to open documents in a variety of formats, including Adobe Photoshop 3.0, Adobe Illustrator, Amiga IFF, BMP, CompuServe (GIF), EPS, JPEG, Kodak CMS PhotoCD, MacPaint, PCX, PICT File (raster only), PIXAR, PixelPaint, Raw, Scitex™ CT, Targa, TIFF and formats using the TWAIN interface. Photoshop, Adobe Illustrator, JPEG, Raw, Scitex CT and TIFF formats are built-in. Other formats and the TWAIN interface are also built-in formats.
At the same time, using the Quick Edit module, you can open individual fragments of large files in Photoshop 3.0 and Scitex formats, as well as unpacked TIFF files.
Editors of this type also allow you to perform actions on image areas.
To edit a portion of an image in Adobe Photoshop, it is extremely important to first select the area to be edited. After that, you can move, copy or color the selected fragment, as well as apply various special effects to it.
For example, to change the color of an image element, you must select the area containing that element and then fill it with the desired color. The border of the selected area is displayed on the screen as a moving dotted line.
Adobe Photoshop provides several ways to select image fragments: You can do this using the Marquee, Lasso, or Magic Wand tools, or the Color Range command.
The listed tools allow you to select the necessary fragments in various ways with a given degree of accuracy.
Raster graphics editor Adobe Photoshop (AP) - concept and types. Classification and features of the category "Raster graphic editor Adobe Photoshop (AP)" 2017, 2018.
1.Drawing and Coloring Change the foreground and background colors to red/green. The Color panel allows you to select a color from a palette. Using the Pencil tool, draw any image on the white field of the New Document. The Fill tool will allow you to fill a CLOSED... .
Task 1: Mask - Open the file Fruit.jpg. - Using the lasso method, select the outline of the red rose. - Select quick mask mode. - As a result, the selected fragment will be clearly visible on the screen, and everything else will be covered with a film. - Double click on the quick mask icon... .
Task 1: Mask - Open the file Fruit.jpg. - Using the lasso method, select the outline of the red rose. - Select quick mask mode. - As a result, the selected fragment will be clearly visible on the screen, and everything else will be covered with a film. - Double click on the quick mask icon...
The standard arrangement of Adobe Photoshop interface elements is shown in Figure 6: Fig.6 Adobe Photoshop window Menu items are located along the top edge of the Photoshop window and contain commands that can be accompanied by a triangular arrow or....
